{"id":31122,"date":"2026-08-25T19:41:26","date_gmt":"2026-08-25T17:41:26","guid":{"rendered":"https:\/\/www.shorttheatre.org\/?p=31122"},"modified":"2026-09-08T11:41:43","modified_gmt":"2026-09-08T09:41:43","slug":"drift-day","status":"publish","type":"post","link":"https:\/\/www.shorttheatre.org\/en\/drift-day\/","title":{"rendered":"DRIFT DAY: September 8 2026"},"content":{"rendered":"<p>September 8 is Short Theatre&#8217;s <strong>DRIFT DAY<\/strong>: a day in which the festival presents a programme dedicated to dance, featuring two performances (one by the Italian artist <a href=\"https:\/\/www.shorttheatre.org\/en\/eventi\/maya-oliva\/\">Maya Oliva<\/a> and one by the international artist <a href=\"https:\/\/www.shorttheatre.org\/en\/eventi\/aymeric-hainaux-francois-chaignaud\/\">Fran\u00e7ois Chaignaud<\/a>), the public opening of a creative residency by <a href=\"https:\/\/www.shorttheatre.org\/en\/rassegne\/residenze-2026\/\">Miranda Secondari<\/a> (DRIFTY artist), <a href=\"https:\/\/www.shorttheatre.org\/en\/rassegne\/residenze-2026\/\">Vincent Giampino<\/a>&#8216;s creative residency, a <a href=\"https:\/\/www.shorttheatre.org\/classe-vol-2-open-call\/\">workshop<\/a> led by the Giuseppe Comuniello e Camilla Guarino duo, and a <a href=\"https:\/\/www.shorttheatre.org\/en\/accessibilita-2026\/\">round table<\/a> \u2014 also organised by the duo \u2014 focused on accessibility in the field of dance.<\/p>\n<p><a href=\"https:\/\/driftdance.eu\/\"><strong>DRIFT \u2013 Dance &amp; Research In The Future Time<\/strong><\/a> is a four-year European cooperation project (2026-2029), co-funded by the Creative Europe program of the European Union, coordinated by the Th\u00e9\u00e2tre de Li\u00e8ge (Belgium) and 9 partner organisations spanning Belgium, France, Germany, Italy, Spain, Greece, Norway, Portugal, Tunisia, and Ukraine and three international associate partners in Japan, Brazil, and Mozambique. Over four years, DRIFT will support 20 mid-career choreographers through a complete, integrated framework: funded research labs and residencies, international showcases, co-production support, and touring guarantees. Not a prize. Not a competition. A sustained, collective journey.<\/p>\n<p>DRIFT&#8217;s core conviction is simple: the process is as important as the finished work. Research deserves dedicated funding. Doubt, experimentation, and iteration are legitimate artistic work and should be recognised and compensated as such. Each choreographer receives dedicated support for their research phase and showcase, including an overall budget covering associated costs, as well as access to studios, mentors, and peer exchange across the network. The aim is not to deliver a finished piece on a deadline, but to explore, question, and take risks without pressure. At international showcases, artists present works in progress, inviting audiences and programmers into the creative process rather than only its final result.<\/p>\n<p>DRIFT is not a centralised institution but a living network of festivals and cultural organisations that open their studios, audiences, and expertise. Partner venues host residencies, and partner festivals organise DRIFT Days : public events that bring local communities into contact with the creative process, and gradually become active laboratories rather than passive showcases. This model distributes both resources and responsibility. Each partner contributes to the whole, and the knowledge produced\u2014methodologies, tools, and practices\u2014is documented and shared as open-source materials designed to outlast the project itself.<\/p>\n<p>DRIFT is also built with its environmental and social responsibilities in mind. Mobility is reasoned and clustered by geography. Digital labs reduce unnecessary travel. Diversity and gender parity are embedded in selection criteria. Support for artists from Ukraine reflects a specific commitment to solidarity in difficult times. These aren&#8217;t add-ons. They&#8217;re structural choices that shape how the project moves, who it includes, and what kind of model it leaves behind. 2026\u20132029: the time of DRIFT<span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, 'Noto Sans', sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h4>The programme of Short Theatre&#8217;s DRIFT DAY:<\/h4>\n<p>September 8<br \/>\n<strong>Miranda Secondari<\/strong><br \/>\n<a href=\"https:\/\/www.shorttheatre.org\/en\/rassegne\/residenze-2026\/\">Residency<\/a><i><br \/>\n<\/i>Spazio Rossellini \/ ATCL Circuito Multidisciplinare del Lazio<br \/>\n<small>residency<\/small><\/p>\n<p>September 8<br \/>\n<strong>Vincent Giampino<\/strong><br \/>\n<a href=\"https:\/\/www.shorttheatre.org\/en\/rassegne\/residenze-2026\/\">Residency<\/a><i><br \/>\n<\/i>Teatro India \u2013 Sala C<br \/>\n<small>residency<\/small><\/p>\n<p>September 8 | 11:00 am<br \/>\n<strong>Giuseppe Comuniello and Camilla Guarino<\/strong><br \/>\n<a href=\"https:\/\/www.shorttheatre.org\/classe-vol-2-open-call\/\">CLASSE<i><br \/>\n<\/i><\/a>Teatro India \u2013 Sala B<br \/>\n<small>seminar meeting closed to the CLASSE group<\/small><\/p>\n<p>September 8 | 3:00\u20134:30 pm<br \/>\n<strong>Giuseppe Comuniello and Camilla Guarino<\/strong><br \/>\n<a href=\"https:\/\/www.shorttheatre.org\/en\/accessibilita-2026\/\">Meeting on accessibility in the live performing arts<\/a><br \/>\nTeatro India \u2013 Sala Oceano<br \/>\n<small>round table on practices, knowledge and tools for artists, companies and professionals<\/small><\/p>\n<p>September 8 | 7:00 pm<br \/>\n<strong>Maya Oliva<\/strong><br \/>\n<a href=\"https:\/\/www.shorttheatre.org\/en\/eventi\/maya-oliva\/\"><em>In perpetual blooming, despite the gods<\/em><\/a><br \/>\nLa Pelanda \u2013 Studio<br \/>\n<small>performance \u2013 dance<\/small><\/p>\n<p>September 8 | 10:00 pm<br \/>\n<strong>Aymeric Hainaux &amp; Fran\u00e7ois Chaignaud<\/strong><br \/>\n<a href=\"https:\/\/www.shorttheatre.org\/en\/eventi\/aymeric-hainaux-francois-chaignaud\/\"><em>Mirlitons<\/em><\/a><br \/>\nLa Pelanda \u2013 Teatro 2<br \/>\n<small>performance<\/small><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><small><strong>DRIFT DAY<\/strong> is realised with the support of <\/small><small><strong>DRIFT<\/strong><\/small><\/p>\n<p><img decoding=\"async\" class=\" wp-image-31170 alignnone\" src=\"https:\/\/www.shorttheatre.org\/wp-content\/uploads\/2026\/08\/LogoDRIFTEUROPE_black-1024x447.png\" alt=\"\" width=\"259\" height=\"113\" srcset=\"https:\/\/www.shorttheatre.org\/wp-content\/uploads\/2026\/08\/LogoDRIFTEUROPE_black-1024x447.png 1024w, https:\/\/www.shorttheatre.org\/wp-content\/uploads\/2026\/08\/LogoDRIFTEUROPE_black-300x131.png 300w, https:\/\/www.shorttheatre.org\/wp-content\/uploads\/2026\/08\/LogoDRIFTEUROPE_black-768x336.png 768w, https:\/\/www.shorttheatre.org\/wp-content\/uploads\/2026\/08\/LogoDRIFTEUROPE_black.png 1600w\" sizes=\"(max-width: 259px) 100vw, 259px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><small><strong>DRIFT<\/strong><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, 'Noto Sans', sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';\">\u00a0is co-funded by the <\/span><strong style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, 'Noto Sans', sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';\">European Union<\/strong><\/small><\/p>\n<p><small>Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.<\/small><\/p>\n<p>&nbsp;<\/p>\n<p><small>ph. <strong>Romain Tissot<\/strong><\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>September 8 is Short Theatre&#8217;s DRIFT DAY: a day in which the festival presents a programme dedicated to dance, featuring two performances (one by the Italian artist Maya Oliva and one by the international artist Fran\u00e7ois Chaignaud), the public opening of a creative residency by Miranda Secondari (DRIFTY artist), Vincent Giampino&#8216;s creative residency, a workshop [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":31126,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[120],"tags":[288,297,403,413],"class_list":["post-31122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-euproject-en","tag-opencall-en","tag-shorttheatre2026","tag-drift"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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